Visual Vitriol

Author: David A. Ensminger
Publisher: Univ. Press of Mississippi
ISBN: 9781604739695
Size: 50.42 MB
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Visual Vitriol from the Author: David A. Ensminger. Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation is a vibrant, in-depth, and visually appealing history of punk, which reveals punk concert flyers as urban folk art. David Ensminger exposes the movement's deeply participatory street art, including flyers, stencils, and graffiti. This discovery leads him to an examination of the often-overlooked presence of African Americans, Latinos, women, and gays and lesbians who have widely impacted the worldviews and music of this subculture. Then Ensminger, the former editor of fanzine Left of the Dial, looks at how mainstream and punk media shape the public's outlook on the music's history and significance. Often derided as litter or a nuisance, punk posters have been called instant art, Xerox art, or DIY street art. For marginalized communities, they carve out spaces for resistance. Made by hand in a vernacular tradition, this art highlights deep-seated tendencies among musicians and fans. Instead of presenting punk as a predominately middle-class, white-male phenomenon, the book describes a convergence culture that mixes people, gender, and sexualities. This detailed account reveals how members conceptualize their attitudes, express their aesthetics, and talk to each other about complicated issues. Ensminger incorporates an important array of scholarship, ranging from sociology and feminism to musicology and folklore, in an accessible style. Grounded in fieldwork, Visual Vitriol includes over a dozen interviews completed over the last several years with some of the most recognized and important members of groups such as Minor Threat, The Minutemen, The Dils, Chelsea, Membranes, 999, Youth Brigade, Black Flag, Pere Ubu, the Descendents, the Buzzcocks, and others.

The Politics Of Punk

Author: David A. Ensminger
Publisher: Rowman & Littlefield
ISBN: 1442254459
Size: 15.34 MB
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The Politics Of Punk from the Author: David A. Ensminger. Punk rock has long been equated with the ever-shifting concepts of dissent, disruption, and counter-cultural activities. As a result, since its 1970s and 1980s incarnations, when bands in Britain—from The Clash and Sex Pistols to Angelic Upstarts, U.K. Subs, and Crass—offered alternative political convictions and subversive lifestyle choices, the media has often deemed punk a threat. Bands like Circle Jerks, Dead Kennedys, Bad Religion, and Millions of Dead Cops followed suit in America, pushing similar boundaries as the music mutated into a harsher “hardcore” style that branched deep into suburban enclaves. Those antagonisms and ideals were, in turn, translated by another wave of bands—from Fugazi to Anti-Flag—whose commitment to community building was as pronounced as their taut, explosive tunes. In The Politics of Punk, David Ensminger probes the conscience of punk by going beyond the lyrics and slogans of the pithy culture war. He paints a broad, nuanced, and well-documented picture of the ongoing activism and outreach inherent in punk. Creating a people’s history of punk’s social, cultural, aesthetic, and political features, the book features original interviews with members of Dead Kennedys, Dead Boys, MDC, Channel 3, Snap-Her, Scream, Minutemen, TSOL, the Avengers, Blowdryers, and many more. Ensminger highlights punk money’s influence on philanthropy and community involvement and paints a contextualized picture of how punk critiqued dominant culture by channeling support and media coverage for a wide array of humanitarian programs for gays and lesbians, the homeless, the disabled, environmental and health research, and other causes.

Mavericks Of Sound

Author: David A. Ensminger
Publisher: Rowman & Littlefield
ISBN: 1442235918
Size: 53.61 MB
Format: PDF, Mobi
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Mavericks Of Sound from the Author: David A. Ensminger. In Mavericks of Sound: Conversations with the Artists Who Shaped Indie and Roots Music, music scholar David Ensminger offers a collection of vivid and compelling interviews with legendary roots rock and indie artists who bucked mainstream trends and have remained resilient in the face of enormous shifts in the music world. As the success of the concerts at Austin City Limits have revealed, the fan bases and crowds for indie and roots music often blur and overlap. In Mavericks of Sound, Ensminger brings to light the highways and byways trod by these music icons over the course of their careers and the ways in which their music-making has been affected by, and influenced, the burgeoning indie and roots music movements. Ranging from seminal modern singer-songwriters to rockabilly renegades and indie rockers, Mavericks of Sound features a set of broad, penetrating, and insightful conversations imbued with a sense of musical history and heritage. Ensminger captures firsthand accounts from singer songwriters like Texas Country musician Tom Russell and first wave indie artist and folk rocker Peter Case; rockabilly artists Junior Brown and the Reverend Horton Heat; American indie rock icons such as 11th Dream Day’s Janet Bean, Pere Ubu’s Dave Thomas, Apples in Stereo’s Robert Schneider, and Swans members Michael Gira and Jarboe; English and New Zealand figures such as folk legend Richard Thompson, The Clean’s David Kilgour and The Waterboys’ Mike Scott; and folk, country and rock legends such as Merle Haggard, Ramblin’ Jack Elliott, Ralph Stanley, Neko Case, and Yo La Tengo. Mavericks of Sound is the perfect work for contemporary indie, roots, Americana, country, and folk music fans who want to understand the unique artistry and unbound passion behind America’s musical innovators that readily broke and remolded rules.

New York Noise

Author: Tamar Barzel
Publisher: Indiana University Press
ISBN: 0253015642
Size: 49.52 MB
Format: PDF, ePub, Docs
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New York Noise from the Author: Tamar Barzel. Coined in 1992 by composer/saxophonist John Zorn, "Radical Jewish Culture," or RJC, became the banner under which many artists in Zorn's circle performed, produced, and circulated their music. New York's downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation. It is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish. Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the "RJC moment" produced a six-year burst of conversations, writing, and music—including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians' dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns.

Write In Tune Contemporary Music In Fiction

Author: Erich Hertz
Publisher: Bloomsbury Publishing USA
ISBN: 1623561450
Size: 21.11 MB
Format: PDF, Docs
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Write In Tune Contemporary Music In Fiction from the Author: Erich Hertz. Contemporary popular music provides the soundtrack for a host of recent novels, but little critical attention has been paid to the intersection of these important art forms. Write in Tune addresses this gap by offering the first full-length study of the relationship between recent music and fiction. With essays from an array of international scholars, the collection focuses on how writers weave rock, punk, and jazz into their narratives, both to develop characters and themes and to investigate various fan and celebrity cultures surrounding contemporary music. Write in Tune covers major writers from America and England, including Don DeLillo, Jonathan Franzen, Zadie Smith, and Jim Crace. But it also explores how popular music culture is reflected in postcolonial, Latino, and Australian fiction. Ultimately, the book brings critical awareness to the power of music in shaping contemporary culture, and offers new perspectives on central issues of gender, race, and national identity.

2011

Author: Massimo Mastrogregori
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110408066
Size: 53.60 MB
Format: PDF, ePub
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2011 from the Author: Massimo Mastrogregori. Die Bibliographie verzeichnet jährlich die bedeutendsten Neuerscheinungen geschichtswissenschaftlicher Monographien und Zeitschriftenartikel weltweit, die inhaltlich von der Vor- und Frühgeschichte bis zur jüngsten Vergangenheit reichen. Innerhalb der systematischen Gliederung nach Zeitalter, Region oder historischer Disziplin sind die Werke nach Autorennamen oder charakteristischem Titelhauptwort aufgelistet.

Adjusted Margin

Author: Kate Eichhorn
Publisher: MIT Press
ISBN: 0262033968
Size: 29.78 MB
Format: PDF, Mobi
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Adjusted Margin from the Author: Kate Eichhorn. How xerography became a creative medium and political tool, arming artists and activists on the margins with an accessible means of making their messages public.

A Companion To Popular Culture

Author: Gary Burns
Publisher: John Wiley & Sons
ISBN: 1405192054
Size: 33.18 MB
Format: PDF, ePub, Mobi
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A Companion To Popular Culture from the Author: Gary Burns. "Includes over two dozen essays covering the spectrum of popular culture studies from food to folklore and from TV to technology"--

Mojo Hand

Author: Timothy J. O'Brien
Publisher: University of Texas Press
ISBN: 0292753020
Size: 63.88 MB
Format: PDF, ePub
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Mojo Hand from the Author: Timothy J. O'Brien. In a career that took him from the cotton fields of East Texas to the concert stage at Carnegie Hall and beyond, Lightnin’ Hopkins became one of America’s greatest bluesmen, renowned for songs whose topics effortlessly ranged from his African American roots to space exploration, the Vietnam War, and lesbianism, performed in a unique, eccentric, and spontaneous style of guitar playing that inspired a whole generation of rock guitarists. Hopkins’s music directly and indirectly influenced an amazing range of artists, including Jimi Hendrix, Stevie Ray Vaughan, Miles Davis, John Coltrane, Tom Waits, and Bob Dylan, as well as bands such as the Grateful Dead, Jefferson Airplane, and ZZ Top, with whom Hopkins performed. Mojo Hand follows Lightin’ Hopkins’s life and music from the acoustic country blues that he began performing in childhood, through the rise of 1950s rock ’n’ roll, which nearly derailed his career, to his reinvention and international success as a pioneer of electric folk blues from the 1960s to the 1980s. The authors draw on 130 vivid oral histories, as well as extensive archival and secondary sources, to provide the fullest account available of the development of Hopkins’s music; his idiosyncratic business practices, such as shunning professional bookers, managers, and publicists; and his durable and indelible influence on modern roots, blues, rock ’n’ roll, singer-songwriter, and folk music. Mojo Hand celebrates the spirit and style, intelligence and wit, and confounding musical mystique of a bluesman who shaped modern American music like no one else.