The Cambridge History Of World Music

Author: Philip V. Bohlman
Publisher: Cambridge University Press
ISBN: 1316025667
Size: 33.58 MB
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The Cambridge History Of World Music from the Author: Philip V. Bohlman. Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.

The Cambridge History Of World Music

Author: Philip V. Bohlman
Publisher: Cambridge University Press
ISBN: 9780521868488
Size: 30.97 MB
Format: PDF, ePub, Mobi
View: 4849
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The Cambridge History Of World Music from the Author: Philip V. Bohlman. Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments - in Europe, Oceania, China, India, the Muslim world, North and South America - in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.

The Cambridge History Of Twentieth Century Music

Author: Nicholas Cook
Publisher: Cambridge University Press
ISBN: 9780521662567
Size: 18.68 MB
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The Cambridge History Of Twentieth Century Music from the Author: Nicholas Cook. "Music" referred only to the artistic, classical tradition of Western Europe and North America at the beginning of the twentieth century. However, several different traditions emerged by the end of the century. Written by experts in the field, this book surveys how the Western tradition was affected by the development of jazz, popular music, and world music and links the history of music with that of its social contexts.

The Cambridge History Of Seventeenth Century Music

Author: Tim Carter
Publisher: Cambridge University Press
ISBN: 9780521792738
Size: 19.52 MB
Format: PDF
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The Cambridge History Of Seventeenth Century Music from the Author: Tim Carter. The Cambridge History of Seventeenth-Century Music seeks to provide the most up-to-date knowledge on seventeenth-century music together with a vital questioning of the way in which such a history can be told or put together for our present purposes. Written by a distinguished team of experts in the field, the chapters not only address traditional areas of knowledge such as opera and church music, but also look at the way this extremely diverse and dynamic musical world has been categorised in the past and how its products are viewed from various cultural points of view. While this history does not depart entirely from the traditional study of musical works and their composers, there is a strong emphasis on the institutions, cultures and politics of the age, together with an interrogation of the ways in which music related to contemporary arts, sciences and beliefs.

The Cambridge History Of American Music

Author: David Nicholls
Publisher: Cambridge University Press
ISBN: 9780521454292
Size: 54.21 MB
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The Cambridge History Of American Music from the Author: David Nicholls. The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.

The Cambridge History Of Musical Performance

Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 1316184420
Size: 64.98 MB
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The Cambridge History Of Musical Performance from the Author: Colin Lawson. The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.

The Cambridge History Of Nineteenth Century Music

Author: Jim Samson
Publisher: Cambridge University Press
ISBN: 9780521590174
Size: 61.38 MB
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The Cambridge History Of Nineteenth Century Music from the Author: Jim Samson. First published in 2002, this comprehensive overview of music in the nineteenth century draws on extensive scholarship in the field.

The Cambridge World History

Author: Jerry H. Bentley
Publisher: Cambridge University Press
ISBN: 0521192463
Size: 72.65 MB
Format: PDF, ePub
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The Cambridge World History from the Author: Jerry H. Bentley. Comprehensive account of the intense biological, commercial, and cultural exchanges, and the creation of global connections, between 1400 and 1800.

The Cambridge History Of The Cold War

Author: Melvyn P. Leffler
Publisher: Cambridge University Press
ISBN: 0521837197
Size: 13.30 MB
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The Cambridge History Of The Cold War from the Author: Melvyn P. Leffler. This volume examines the origins and early years of the Cold War in the first comprehensive historical reexamination of the period. A team of leading scholars shows how the conflict evolved from the geopolitical, ideological, economic and sociopolitical environments of the two world wars and interwar period.

The Cambridge History Of Modernism

Author: Vincent Sherry
Publisher: Cambridge University Press
ISBN: 1316720535
Size: 72.71 MB
Format: PDF
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The Cambridge History Of Modernism from the Author: Vincent Sherry. The Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories collection. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.