Meta Narrative In The Movies

Author: J. Kupfer
Publisher: Springer
ISBN: 1137410884
Size: 56.57 MB
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Meta Narrative In The Movies from the Author: J. Kupfer. Meta-Narrative in the Movies investigates narrative theory through close analysis of films featuring stories and storytelling. The cinematic interpretations investigate the role of story creation in knowing ourselves and planning our future, in structuring social relationships, and in sharpening our experience of popular culture.

Woody Allen

Author: Kimball King
Publisher: Routledge
ISBN: 1135670463
Size: 59.10 MB
Format: PDF, Mobi
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Woody Allen from the Author: Kimball King. First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

The Metanarrative Of Suspicion In Late Twentieth Century America

Author: Sandra Baringer
Publisher: Routledge
ISBN: 1135876908
Size: 11.90 MB
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The Metanarrative Of Suspicion In Late Twentieth Century America from the Author: Sandra Baringer. Narratives of suspicion and mistrust have escaped the boundaries of specific sites of discourse to constitue a metanarrative that pervades American culture. Through close reading of texts ranging from novels (Pynchon's Vineland, Silko's Almanac of the Dead, Pierce's The Turner Diaries) to prison literature, this book examines the ways in which narratives of suspicion are both constitutive--and symptomatic--of a metanarrative that pervades American culture.

Intermediales Spiel Im Film

Author: Annette Simonis
Publisher: transcript Verlag
ISBN: 3839415209
Size: 74.11 MB
Format: PDF
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Intermediales Spiel Im Film from the Author: Annette Simonis. Seit den AnfĂ€ngen der Filmgeschichte wird der Film als hybrides Medium wahrgenommen, in dem interessante intermediale Konstellationen aus Bild und Ton, Schrift und Musik auftreten. Diese mediale Disposition kann auf unterschiedliche Weise kĂŒnstlerisch genutzt werden. Annette Simonis zeigt, wie im neueren Film durch Ausbildung besonderer ludischer Elemente eine Ästhetik des intermedialen Spiels entsteht. Anhand von Filmbeispielen der letzten beiden Jahrzehnte wird die Integration von Bild, Schrift und Musik im filmischen Medium analysiert und die medienĂ€sthetische Bedeutung jener spielerischen Verwendung von Medien in Medien diskutiert.

Hollywood Utopia

Author: Pat Brereton
Publisher: Intellect Books
ISBN: 1841501174
Size: 38.59 MB
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Hollywood Utopia from the Author: Pat Brereton. Utopianism, alongside its more prevalent dystopian opposite together with ecological study has become a magnet for interdisciplinary research and is used extensively to examine the most influential global medium of all time. The book applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present, which has not been done on this scale before. Many popular science fiction, westerns, nature and road movies, as listed in the filmography are extensively analysed while particularly privileging ecological moments of sub.

The Gift Of Story

Author: Emily Griesinger
Publisher: Baylor University Press
ISBN: 1932792473
Size: 45.14 MB
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The Gift Of Story from the Author: Emily Griesinger. The Gift of Story brings contemporary literature and film into conversation with the grand Christian narrative. This book examines the specific connections between contemporary cultural meta-narratives (the stories humans typically tell about themselves) and the ideas of hope found in Christianity. Despite postmodernism's skepticism about narrative, the dialogue with contemporary fiction, drama, music and film demonstrates that the Christian story can engender and sustain hope.

Filmint

Author: KulturrÄdet (Sweden)
Publisher:
ISBN:
Size: 46.36 MB
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Filmint from the Author: KulturrÄdet (Sweden).

The Future Of Financial Regulation

Author: Iain G MacNeil
Publisher: Bloomsbury Publishing
ISBN: 1847315712
Size: 67.84 MB
Format: PDF, ePub
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The Future Of Financial Regulation from the Author: Iain G MacNeil. The Future of Financial Regulation is an edited collection of papers presented at a major conference at the University of Glasgow in spring 2009, co-sponsored by the Economic and Social Research Council World Economy and Finance Programme and the the Australian Research Council Governance Research Network. It draws together a variety of different perspectives on the international financial crisis which began in August 2007 and later turned into a more widespread economic crisis following the collapse of Lehman Brothers in the autumn of 2008. Spring 2009 was in many respects the nadir since valuations in financial markets had reached their low point and crisis management rather than regulatory reform was the main focus of attention. The conference and book were deliberately framed as an attempt to re-focus attention from the former to the latter. The first part of the book focuses on the context of the crisis, discussing the general characteristics of financial crises and the specific influences that were at work this time round. The second part focuses more specifically on regulatory techniques and practices implicated in the crisis, noting in particular an over-reliance on the capacity of regulators and financial institutions to manage risk and on the capacity of markets to self-correct. The third part focuses on the role of governance and ethics in the crisis and in particular the need for a common ethical framework to underpin governance practices and to provide greater clarity in the design of accountability mechanisms. The final part focuses on the trajectory of regulatory reform, noting the considerable potential for change as a result of the role of the state in the rescue and recuperation of the financial system and stressing the need for fundamental re-appraisal of business and regulatory models.

Dismantling The Dream Factory

Author: Hester Baer
Publisher: Berghahn Books
ISBN: 1845459458
Size: 15.62 MB
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Dismantling The Dream Factory from the Author: Hester Baer. The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to 'dismantle the dream factory' of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 per cent of cinema audiences a 'women's cinema' emerged, which sought to appeal to female spectators through its genres, star choices, stories and formal conventions. In addition to analyzing the formal language and narrative content of these films, Baer uses a wide array of other sources to reconstruct the original context of their reception, including promotional and publicity materials, film programs, censorship documents, reviews and spreads in fan magazines. This book presents a new take on an essential period, which saw the rebirth of German cinema after its thorough delegitimization under the Nazi regime.