Medieval And Renaissance Drama In England

Author: John Pitcher
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637036
Size: 60.30 MB
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Medieval And Renaissance Drama In England from the Author: John Pitcher. Medieval and Renaissance Drama in England is an international volume published every year in a hardcover edition. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama. Volume 17 is specially commissioned to celebrate the scholarship and career of Leeds Barroll, the founding Editor of MaRDiE. Its contents mirror Barroll's many contributions to the study of Shakespeare, the drama, and royal and aristocratic patronage in early modern England.

Medieval And Renaissance Drama In England

Author: S. P. Cerasano
Publisher: Associated University Presse
ISBN: 9780838641804
Size: 61.81 MB
Format: PDF, ePub, Mobi
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Medieval And Renaissance Drama In England from the Author: S. P. Cerasano. Reflecting a variety of scholarly interests, this volume includes articles that range addressing Africans in Elizabeth London to chapel stagings, to the theory and practice of domestic tragedy. It also includes essays on the historical and theoretical issues relating to the evolution of dramatic texts and women at the theater.

Medieval And Renaissance Drama In England Vol 27

Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838644724
Size: 78.38 MB
Format: PDF, Docs
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Medieval And Renaissance Drama In England Vol 27 from the Author: S. P. Cerasano. An international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes nine new articles and reviews of three books.

Medieval And Renaissance Drama In England Vol 29

Author: S.P. Cerasano
Publisher: Associated University Presse
ISBN: 0838644821
Size: 10.89 MB
Format: PDF, Docs
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Medieval And Renaissance Drama In England Vol 29 from the Author: S.P. Cerasano. Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles, a review essays, and review of six books.

Medieval And Renaissance Drama In England

Author: Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636411
Size: 39.77 MB
Format: PDF
View: 356
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Medieval And Renaissance Drama In England from the Author: Leeds Barroll. Medieval and Renaissance Drama in England is an international volume published every year in a hardcover edition. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama. Volume 17 is specially commissioned to celebrate the scholarship and career of Leeds Barroll, the founding Editor of MaRDiE. Its contents mirror Barroll's many contributions to the study of Shakespeare, the drama, and royal and aristocratic patronage in early modern England.

Romard Research On Medieval And Renaissance Drama Vol 50

Author: Dr. Mario Longtin
Publisher: First Circle Publishing
ISBN: 0991976002
Size: 64.30 MB
Format: PDF, ePub
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Romard Research On Medieval And Renaissance Drama Vol 50 from the Author: Dr. Mario Longtin. ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario. Manuscripts are submitted to the Editor, Mario Longtin, via email at [email protected] For further details, please visit the ROMARD website at www.romard.org.

Renaissance Drama In Action

Author: Martin White
Publisher: Psychology Press
ISBN: 9780415067386
Size: 18.20 MB
Format: PDF, ePub
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Renaissance Drama In Action from the Author: Martin White. Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.

Renaissance Drama 35

Author: Mary Floyd-Wilson
Publisher: Northwestern University Press
ISBN: 0810123657
Size: 45.15 MB
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Renaissance Drama 35 from the Author: Mary Floyd-Wilson. Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. This special issue of Renaissance Drama "Embodiment and Environment in Early Modern Drama and Performance" is guest-edited by Mary Floyd-Wilson and Garrett A. Sullivan, Jr. Anatomized, fragmented, and embarrassed, the body has long been fruitful ground for scholars of early modern literature and culture. The contributors suggest, however, that period conceptions of embodiment cannot be understood without attending to transactional relations between body and environment. The volume explores the environmentally situated nature of early modern psychology and physiology, both as depicted in dramatic texts and as a condition of theatrical performance. Individual essays shed new light on the ways that travel and climatic conditions were understood to shape and reshape class status, gender, ethnicity, national identity, and subjectivity; they focus on theatrical ecologies, identifying the playhouse as a "special environment" or its own "ecosystem," where performances have material, formative effects on the bodies of actors and audience members; and they consider transactions between theatrical, political, and cosmological environments. For the contributors to this volume, the early modern body is examined primarily through its engagements with and operations in specific environments that it both shapes and is shaped by. Embodiment, these essays show, is without borders.