Fortune And Fatality

Author: Desmond Hosford
Publisher: Cambridge Scholars Publishing
ISBN: 144381492X
Size: 60.68 MB
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Fortune And Fatality from the Author: Desmond Hosford. As an aesthetic notion and dramatic genre, tragedy has enjoyed a privileged place in French culture, particularly during the early modern period when debates over its nature and philosophy reflected fascination with a style whose fundamental principles were drawn from ancient Greek sources. Through the works of Pierre Corneille and Jean Racine, routinely cited for an alleged regularity of form and content exemplifying the academic notion of French Classicism, tragedy has grounded the French literary canon. Because of its place at the heart of canonical French literary studies, tragedy’s traditionally prescribed boundaries and interpretations have rarely been questioned. Fortune and Fatality: Performing the Tragic in Early Modern France challenges conventional notions of the nature and function of tragedy and the ends to which philosophical, theatrical, and performative aspects of the tragic were appropriated during the sixteenth and seventeenth centuries. The scope of material explored in this volume will be of interest not only to scholars and students of sixteenth- and seventeenth-century literature, but to those working in areas such as theater, gender studies, aesthetics, history, religion, philosophy, classics, and cultural studies.

French Orientalism

Author: Desmond Hosford
Publisher: Cambridge Scholars Publishing
ISBN: 1443823449
Size: 67.52 MB
Format: PDF, ePub, Docs
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French Orientalism from the Author: Desmond Hosford. In 1798, Napoléon I launched his Egyptian Campaign and opened what has become recognized as the canonic period of French Orientalism, which extends from the late eighteenth through the early twentieth century. As defined by Edward W. Said (Orientalism, 1978), Orientalism is intrinsically Eurocentric and places the Orient in opposition to the European West as the quintessentially foreign Other. In this sense, the Occident supposedly defines itself by gazing at the East as its inverse image and purportedly asserts a geopolitical dominance materially confirmed through imperialism and colonization. Although Europe may cast the Orient as the archetypal Other, this necessarily entails deep conflict since the Orient is also frequently posited as the source of Western civilization, which prohibits the articulation of a complete separation between Europe and the Orient. Nevertheless, according to French Orientalist discourse, the East had fallen into barbarism, inertia, and languished, awaiting the mission civilisatrice by which France undertook a heroic project of universal enlightenment. The canonic approach to Orientalism has drawn much criticism, which calls for re-examining the notion of French Orientalism, broadening the scope of enquiry, and exploring the history and ideological strategies behind French formulations of the Orient from the Middle Ages through the twenty-first century. Such an expanded field of investigation reveals that the canonic Orientalist paradigm is not universally applicable, particularly regarding material from before the late eighteenth century. New theoretical, literary, historical, philosophical, and cultural perspectives provide the opportunity to deploy, question, subvert, and resituate canonic Orientalist theories, revealing the continuing evolution and relevance of French Orientalism as a notion with global stakes and material consequences. Because of its broad scope and variety of theoretical approaches, this volume will interest scholars and students from a wide spectrum of disciplines, including literature, gender studies, history, theater, art history, music, cinema, and cultural studies.

Chance Literature And Culture In Early Modern France

Author: Ms Kathleen Wine
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475271
Size: 15.17 MB
Format: PDF, Kindle
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Chance Literature And Culture In Early Modern France from the Author: Ms Kathleen Wine. In the Renaissance and early modern periods, there were lively controversies over why things happen. Central to these debates was the troubling idea that things could simply happen by chance. In France, a major terrain of this intellectual debate, the chance hypothesis engaged writers coming from many different horizons: the ancient philosophies of Epicurus, the Stoa, and Aristotle, the renewed reading of the Bible in the wake of the Reformation, a fresh emphasis on direct, empirical observation of nature and society, the revival of dramatic tragedy with its paradoxical theme of the misfortunes that befall relatively good people, and growing introspective awareness of the somewhat arbitrary quality of consciousness itself. This volume is the first in English to offer a broad cultural and literary view of the field of chance in this period. The essays, by a distinguished team of scholars from the U.S., Britain, and France, cluster around four problems: Providence in Question, Aesthetics and Poetics of Chance, Law and Ethics, and Chance and its Remedies. Convincing and authoritative, this collection articulates a new and rich perspective on the culture of sixteenth- and seventeenth-century France.

The Duchess Of Malfi

Author: John Webster
Publisher: John Webster
ISBN: 6050430551
Size: 17.91 MB
Format: PDF
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The Duchess Of Malfi from the Author: John Webster. Of John Webster's life almost nothing is known. The dates 1580-1625 given for his birth and death are conjectural inferences, about which the best that can be said is that no known facts contradict them. The first notice of Webster so far discovered shows that he was collaborating in the production of plays for the theatrical manager, Henslowe, in 1602, and of such collaboration he seems to have done a considerable amount. Four plays exist which he wrote alone, "The White Devil," "The Duchess of Malfi," "The Devil's Law-Case," and "Appius and Virginia." "The Duchess of Malfi" was published in 1623, but the date of writing may have been as early as 1611. It is based on a story in Painter's "Palace of Pleasure," translated from the Italian novelist, Bandello; and it is entirely possible that it has a foundation in fact. In any case, it portrays with a terrible vividness one side of the court life of the Italian Renaissance; and its picture of the fierce quest of pleasure, the recklessness of crime, and the worldliness of the great princes of the Church finds only too ready corroboration in the annals of the time.

King Lear

Author: William Shakespeare
Publisher: Heinemann
ISBN: 9780435193096
Size: 80.10 MB
Format: PDF, ePub
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King Lear from the Author: William Shakespeare. Includes the unabridged text of Shakespeare's classic play plus a complete study guide that features scene-by-scene summaries, explanations and discussions of the plot, question-and-answer sections, author biography, historical background, and more.

The End Of Satisfaction

Author: Heather Hirschfeld
Publisher: Cornell University Press
ISBN: 0801470625
Size: 30.59 MB
Format: PDF
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The End Of Satisfaction from the Author: Heather Hirschfeld. In The End of Satisfaction, Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term “satisfaction” during the sixteenth and early seventeenth centuries. Focusing on the term’s significance as an organizing principle of Christian repentance, she examines the ways in which Shakespeare and his contemporaries dramatized the consequences of its re- or de-valuation in the process of Reformation doctrinal change. The Protestant theology of repentance, Hirschfeld suggests, underwrote a variety of theatrical plots “to set things right” in a world shorn of the prospect of “making enough” (satisfacere). Hirschfeld’s semantic history traces today’s use of “satisfaction”—as an unexamined measure of inward gratification rather than a finely nuanced standard of relational exchange—to the pressures on legal, economic, and marital discourses wrought by the Protestant rejection of the Catholic sacrament of penance (contrition, confession, satisfaction) and represented imaginatively on the stage. In so doing, it offers fresh readings of the penitential economies of canonical plays including Dr. Faustus, The Revenger’s Tragedy, The Merchant of Venice, and Othello; considers the doctrinal and generic importance of lesser-known plays including Enough Is as Good as a Feast and Love’s Pilgrimage; and opens new avenues into the study of literature and repentance in early modern England.

Hamlet

Author: Francis Henry Stratmann
Publisher:
ISBN:
Size: 19.28 MB
Format: PDF, ePub
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Hamlet from the Author: Francis Henry Stratmann.

Antony And Cleopatra

Author: William Shakespeare
Publisher: Oberon Books
ISBN: 1849436207
Size: 28.12 MB
Format: PDF, Mobi
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Antony And Cleopatra from the Author: William Shakespeare. Desire and duty collide in Shakespeare’s captivating tragedy of politics, passion and power. Two charismatic leaders, Mark Antony of Rome and Cleopatra, Queen of Egypt, are caught in an all encompassing love that threatens the Empire. Rome will do all it can to pull them apart. Or it will destroy them both. This classic Shakespeare tale is edited by Dame Janet Suzman, making this an authoritative edition. As she says in her new book Not Hamlet: Meditations on the Frail Position of Women in Drama which studies the role of and for women in Shakespeare’s canon, Suzman knows this play better than anyone else in the world, having played Cleopatra twice and having now directed the play twice.